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Thank you for your manual It has the basic things to and i use the Oszi for Longer Time.
THX
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Actually, I was looking for this information for 3 years!...now thanks to you, the manual is on my hands and of great help, cause I understand now where I was doing wrong connections and wires...excellent, I'll be back to you if in need, thank you.
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This manual covers the main equipment features only. While it also includes the procedure for saving and loading from the now long obsolete memory cards it does not mention the how to operate with the optional floppy drive interface so I am still at a loss about how to use this! Note that there is a separate manual covering the MIDI interface and programming via the keyboard, not included in this download. You will also need to get hold of this if you want to use the MIDI interface properly. Basically there is little difference between this manual and the free to download manual for the similar PR60 model.
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Good list of manuals. I found a very rare one and easily get. Should be promptly to download, as we must to wait hours even after confirmed payment.
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The manual was properly scanned and perfectly readable. The only small problem is that I couldn't use my dear Ctrl + F to find a word I needed.
V-Accordion r Treble Octave Tx
Treble Octave Tx
(�3~0~3, Default setting: 0) This parameter allows you to transpose the Noteon messages transmitted by the Treble
Orchestra TX/RX Channel
trO
(Off, 1~16, Default setting: 3) This parameter allows you to define the MIDI channel for the Treble Orchestra part.
OrC
section up to three octaves up or down. This can be used for songs where an accordion register of the Treble section (for example) should be doubled by a piccolo flute played by an external module whose notes would be far too low if they were used as is. As stated above, each MIDI note has a unique number. This parameter allows you to add (or subtract) 12 (�1� octave), 24 (�2� octaves) or 36 (�3� octaves) to (from) the note numbers generated by your playing.
Note: �TX� means that this parameter only applies to the note messages transmitted to external devices. Messages the FR-3 receives from another device are not affected by it.
The assignment set here applies both to the transmission (�TX�) and reception (�RX�) of MIDI data. Obviously, �TX� is only used when �MId� (see above) is set to �Out�, while the �RX� part is only used when �MId� is set to �In�.
Orchestra Octave TX
(�3~0~3, Default setting: 0) This parameter allows you to transpose the Noteon messages transmitted by the Orchestra section.
Note: �TX� means that this parameter only applies to the note messages transmitted to external devices. Messages the FR-3 receives from another device are not affected by it.
OrO
Bass/Free Bass TX/RX Channel
(Off, 1~16, Default setting: 2) This parameter allows you to define the MIDI channel for the bass buttons or Free Bass (accordion) section, depending on which mode is
bFr
Orchestra Bass TX/RX Channel
currently active. The assignment set here applies both to the transmission (�TX�) and reception (�RX�) of MIDI data. Obviously, �TX� is only used when �MId� (see above) is set to �Out�, while the �RX� part is only used when �MId� is set to �In�. Select �Off� if the Bass or Free Bass section should neither receive nor transmit MIDI data.
Note: Though it is perfectly possible to assign the same MIDI channel to several sections, the result is usually disappointing and may lead to a lot of confusion.
(Off, 1~16, Default setting: 5) This parameter allows you to define the MIDI channel for the ORCH BASS part. The
Obs
assignment set here applies both to the transmission (�TX�) and reception (�RX�) of MIDI data. Obviously, �TX� is only used when �MId� (see above) is set to �Out�, while the �RX� part is only used when �MId� is set to �In�.
Orchestra Bass Octave TX
(�3~0~3, Default setting: 0) This parameter allows you to transpose the Noteon messages transmitted by the ORCH BASS part.
ObO
Bass/Free Bass Octave TX
(�3~0~3, Default setting: 0) This parameter allows you to transpose the Noteon messages transmitted by the bass
bfO
Orchestra Chord TX/RX Channel
buttons or Free Bass section up to three octaves up or down.
(Off, 1~16, Default setting: 6) This parameter allows you to define the MIDI channel for the ORCH CHORD part. The
OCH
Chord TX/RX Channel
(Off, 1~16, Default setting: 3) This parameter allows you to define the MIDI channel for the chord buttons when
CHd
assignment set here applies both to the transmission (�TX�) and reception (�RX�) of MIDI data. Obviously, �TX� is only used when �MId� (see above) is set to �Out�, while the �RX� part is only used when �MId� is set to �In�.
they are used to play the selected accordion register. The assignment set here applies both to the transmission (�TX�) and reception (�RX�) of MIDI data. Obviously, �TX� is only used when �MId� (see above) is set to �Out�, while the �RX� part is only used when �MId� is set to �In�.
Note: Though it is perfectly possible to assign the same MIDI channel to several sections, the result is usually disappointing and may lead to a lot of confusion.
Orchestra Chord Octave TX
(�3~0~3, Default setting: 0) This parameter allows you to transpose the Noteon messages transmitted by the ORCH CHORD part.
OCO
Orchestra Free Bass TX/RX Channel
(Off, 1~16, Default setting: 7) This parameter allows you to define the MIDI channel for the ORCH FREE BS part. The
Ofb
Chord Octave TX
(�3~0~3, Default setting: 0) This parameter allows you to transpose the Noteon messages transmitted by the chord buttons up to three octaves up or down.
CHO
assignment set here applies both to the transmission (�TX�) and reception (�RX�) of MIDI data. Obviously, �TX� is only used when �MId� (see above) is set to �Out�, while the �RX� part is only used when �MId� is set to �In�.
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