Although printing quality is not the best, the manual was very helpful in order to reactivate this ancient but still good electronic musical instrument.
as a first-time user and buyer from this site, i found the overall service outstanding!! this product is a godsend as, without it, i would never have been able to find my way around and use my machine as intended. i will certainly use this site again as required. many many thanx!!
Text excerpt from page 32 (click to view)
Controlling Logic RPC PRO
Selecting channels
1. Use CH ASSIGN to select the Logic RPC PRO mixer section that you want to control. The selected button will light. [INPUT/INST]: Select this when you want to control INPUT. If you want to control instruments, hold down [SHIFT] and press [INPUT/INST]. [OUTPUT]: [BUS]: [Tr 1�12]: [Tr 13�24]: Select this when you want to control OUTPUT. Select this when you want to control the buses. Select this when you want to control TRACK 1�12. Select this when you want to control TRACK 13�24.
For details on the Logic RPC PRO mixer, refer to the column �The structure of the Logic RPC PRO mixer section� (p. 32)
2. Press [CH SELECT] to select the channel that you want to control. [CH SELECT] of the selected channel will light.
The structure of the Logic RPC PRO mixer section
The Logic RPC PRO mixer consists of the following five sections. For each section you can change insert effect, bus send, pan, and volume settings. â� Input section This sends the inputs to the output section. â� Instrument section Software synthesizers are inserted here for use. â� Output section This mixes the sound of each channel and sends this mix to an output. â� Track section These are the tracks that record the input audio on the hard disk of the computer and play it back. The playback audio is sent to the buses or outputs. â� Bus section This section allows effects to be inserted and used as send effects, or can be used as a group mixer.
You will need to purchase software synthesizers separately. It is not possible to send audio from the input section to the track section. For details, refer to �Overall signal flow� (p. 19).
